The suppression of voice freedom of expression in Laut Bercerita and 1984: A comparative literary study
Downloads
Freedom of expression remains a controversial subject in both democratic and authoritarian societies, where the silencing of critical voices often occurs not through explicit bans, but through surveillance, intimidation, and the control of discourse and language. This study examines the portrayal of silencing and freedom of expression in Laut Bercerita by Leila S. Chudori and 1984 by George Orwell, using a comparative literature approach grounded in Michel Foucault’s theories of power, discourse, and disciplinary surveillance. Employing a descriptive qualitative method combined with qualitative content analysis, the research analyzes the words, expressions, dialogues, and narratives in both novels that depict practices of silencing and the restriction of expression. The findings reveal that Laut Bercerita portrays silencing through direct, repressive power intimidation, abductions, torture, and the enforced disappearance of activists during Indonesia’s Orde Baru whereas 1984 depicts it through disciplinary power, exercised via constant surveillance (telescreens and the Thought Police) and linguistic control through Newspeak, which structurally restricts the very possibility of critical thought. Despite their differing mechanisms physical repression versus psychological and linguistic control both novels demonstrate how power acts to curtail individuals' ability to speak, think, and freely express dissent.
Ali, A. M., Ullah, F., & Habib, P. (2026). Language as a tool of political control in the novel 1984 by George Orwell. Journal of Media Horizons, 7(3), 479–488. https://jmhorizons.com/index.php/journal/article/view/1461
Chudori, L. S. (2017). Laut Bercerita [The sea speaks his name]. Kepustakaan Populer Gramedia.
Damono, S. D. (2005). Pegangan penelitian sastra bandingan [A guide to comparative literature research]. Pusat Bahasa, Departemen Pendidikan Nasional.
Foucault, M. (1972). The archaeology of knowledge and the discourse on language (A. M. Sheridan Smith, Trans.). Pantheon Books. (Original work published 1969)
Foucault, M. (1977). Discipline and punish: The birth of the prison (A. Sheridan, Trans.). Pantheon Books. (Original work published 1975)
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings, 1972–1977 (C. Gordon, Ed.). Pantheon Books.
Jamil, M., Rizal, M. A. S., & Kholik. (2024). Relevansi ideologi dan estetika dalam karya sastra pada puisi Lekra (Lembaga Kebudayaan Rakyat) [The relevance of ideology and aesthetics in Lekra poetry]. Innovative: Journal of Social Science Research, 4(4), 7537–7546. https://j-innovative.org/index.php/Innovative/article/view/14021
Kebung, K. (2017). Membaca ‘kuasa’ Michel Foucault dalam konteks ‘kekuasaan’ di Indonesia [Reading Michel Foucault’s ‘power’ in the Indonesian context of ‘authority’]. Melintas, 33(1), 34–51. https://doi.org/10.26593/mel.v33i1.2953.34-51
Kusnaeni, Mulyati, Y., Halimah, H., Rahma, R., & Kurniawan, K. (2026). Kematian dan politik ingatan dalam novel Laut Bercerita karya Leila S. Chudori: Thanatologi sastra Herman Feifel [Death and the politics of memory in Leila S. Chudori’s Laut Bercerita: Herman Feifel’s literary thanatology]. Aksara, 38(1), 303–314. https://doi.org/10.29255/aksara.v38i1.4926.303-314
Noak, P. A., Erviantono, T., & Pratiwi, N. P. W. (2024). Pembungkaman kebebasan berpendapat aktivis perubahan iklim pada penyelenggaraan KTT G20 di Bali [Silencing climate activists’ freedom of expression during the G20 Summit in Bali]. Kultura: Jurnal Ilmu Hukum, Sosial, dan Humaniora, 2(9), 278–282. https://jurnal.kolibi.org/index.php/kultura/article/view/2627
Orwell, G. (1949). Nineteen eighty-four. Secker & Warburg.
Pratama, M. I., Rahman, A., & Bachmid, F. (2022). Kebebasan berpendapat dan berekspresi di media sosial dalam perspektif hak asasi manusia [Freedom of opinion and expression on social media from a human rights perspective]. Qawanin Jurnal Ilmu Hukum, 3(1), 1–16. https://doi.org/10.56087/qawaninjih.v3i1.406
Risqy, Djumingin, S., & Nojeng, A. (2026). Peristiwa tutur dalam novel Laut Bercerita karya Leila S. Chudori: Analisis model SPEAKING Dell Hymes [Speech events in Leila S. Chudori’s Laut Bercerita: An analysis using Dell Hymes’ SPEAKING model]. Nuances of Indonesian Language, 7(1), 116–122. https://doi.org/10.51817/nila.v7i1.1912
Sabila, A. (2024). Representasi sejarah dan pencarian identitas dalam novel Pulang karya Leila S. Chudori: Analisis semiotika Charles Sanders Pierce [Representation of history and the search for identity in Leila S. Chudori’s Pulang: A Peircean semiotic analysis]. Al-Furqan: Jurnal Agama, Sosial, dan Budaya, 3(6), 2730–2744. https://publisherqu.com/index.php/Al-Furqan/article/view/1535
Safitri, F. R., Zainuddin, S., & Herman, A. (2026). Relasi kuasa dan sejarah Orde Baru dalam novel Laut Bercerita karya Leila S. Chudori [Power relations and the history of the New Order in Leila S. Chudori’s Laut Bercerita]. Kanal: Jurnal Ilmu Komunikasi, 14(2), 196–211. https://doi.org/10.21070/kanal.v14i2.2003
Septianno, B. H., Aslam, A., Krismonila, L., & Upaka, T. (2025). Bahasa sebagai teknologi bio-politik: Analisis novel 1984 dalam perspektif teori Foucault dan Agamben [Language as a biopolitical technology: An analysis of the novel 1984 from the perspective of Foucault and Agamben]. Dekonstruksi, 11(3), 13–21. https://doi.org/10.54154/dekonstruksi.v11i03.327
Sulistiyana, P. (2013). Representasi kemiskinan dalam novel Jatisaba karya Ramayda Akmal: Kajian sosiologi sastra [Representation of poverty in Ramayda Akmal’s Jatisaba: A sociology of literature study]. Bahasa & Sastra Indonesia: Antologi. https://ejournal.upi.edu/index.php/BS_Antologi_Ind/article/view/519
Vaidya, K. R. (2026). The Ministry of Culture: A cultural critique of ideological reproduction in George Orwell’s 1984. The Criterion: An International Journal in English, 17(1), 658–676. https://doi.org/10.66376/criterion.v17.n1.45
Copyright (c) 2026 Andy Adawiyah Orchid, Desi Nur Cahyati

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

